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Musical Backing Tracks

Latest Backing Tracks from Successful Singing

Showboat The Musical

Mark_Twain_Riverboat

Showboat The Musical

The musical features the music of Jerome Kern with lyrics by Oscar Hammerstein.

The story, based on Edna Ferber’s novel of the same name, is set against the backdrop of the American Deep South at the beginning of the 20th Century, and tells a powerful story of freedom, loyalty and love.  It is a tale that spans over 40 years, which chronicles the lives of the stage hands, performers and dock workers on a Mississippi River show boat called the “Cotton Blossom”.

It is said to be one of the most romantic musicals of all time.

Showboat The Musical Backing Tracks

AFTER THE BALL - SHOWBOAT
Price: £1.00
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After The Ball

BILL - SHOWBOAT
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 Bill

BILL - SHOWBOAT - PIANO
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Bill – Piano

CAN'T HELP LOVING DAT MAN OF MINE - SHOWBOAT
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Can’t Help Loving Dat Man Of Mine

HERE COMES THE SHOWBOAT - SHOWBOAT
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Here Comes The Showboat

I MIGHT FALL BACK ON YOU - SHOWBOAT
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 I Might Fall Back On You

LIFE UPON THE WICKED STAGE - SHOWBOAT
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 Life Upon the Wicked Stage

MAKE BELIEVE - SHOWBOAT
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 Make Believe

OLD MAN RIVER - SHOWBOAT
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Old Man River

QUEENIE'S BALLYHOO - SHOWBOAT
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 Queenie’s Ballyhoo

TILL GOOD LUCK COMES MY WAY - SHOWBOAT
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 Till Good Luck Comes My Way

YOU ARE LOVE - SHOWBOAT
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 You Are Love

Please Put My Tracks On CD
Please Put My Tracks On CD
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Annie

annieAnnie The Musical

Backing Tracks: A New Deal For Christmas… Easy Street…  I Think I’m Gonna Like It Here… It’s A Hard Knock Life… Little Girls… Maybe… NYC… Tomorrow… You’re Never Fully Dressed Without A Smile… Opportunity…

 

A NEW DEAL FOR CHRISTMAS - ANNIE
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A New Deal For Christmas

EASY STREET - ANNIE
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Easy Street

I THINK I'M GONNA LIKE IT HERE - ANNIE
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I Think I’m Gonna Like It Here

IT'S A HARD KNOCK LIFE - ANNIE
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It’s A Hard Knock Life

LITTLE GIRLS - ANNIE
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Little Girls

MAYBE - ANNIE
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Maybe

NYC - ANNIE
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NYC

TOMORROW - ANNIE
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Tomorrow

YOU'RE NEVER FULLY DRESSED WITHOUT A SMILE - ANNIE
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You’re Never Fully Dressed Without A Smile

OPPORTUNITY - SIA
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Opportunity (from the 2014 Film – Annie) – Sia

Please Put My Tracks On CD
Please Put My Tracks On CD
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Synopsis

Act One

It is December of 1933 and America is deep in the midst of the Great Depression. On the Lower East Side of New York, the Municipal Orphanage, Girls’ Annex, has been the drab home of eleven-year-old Annie for all but the first two months of her life, when she was left on the front steps of the Orphanage with an unsigned note saying, “Please take good care of our little darling. Her name is Annie… We have left half of a silver locket around her neck and kept the other hals so that when we come back for her you will know that she’s our baby.” Early one chill morning, awake at 4:00 A.M., Annie wonders what her lost parents might be like (Maybe).

Miss Agatha Hannigan the mean-tempered spinster who is in charge of the Orphanage, is furious at finding Annie and the Orphans awake at 4:00 A.M. and puts them to work scrubbing the floor. Annie and the Orphans angrily lament the fact that they are living The Hard-Knock Life. Later that morning, Annie seizes opportunity to escape from the Orphanage by hiding in a laundry bag that is toted off into a truck. If her parents aren’t coming back for her, Annie is going to go find them.

In New York’s St. Mark’s Place, city dogcatchers pursue stray dogs, but they miss one, a sad-faced mutt that is immediately adopted by Annie, who has been wandering alone through the wintry streets of the city. “They’re after me, too,” Annie tells the dog, and then assures him that “Everything’s gonna be fine for the both of us. If not today the… Tomorrow.” Officer Ward of the NYPD suspects that Annie’s dog is a stray, but she tells him that the dog is hers: “I call him Sandy because of his nice sandy colour.” Sandy responds to his new name when he is called by Annie, and Officer Ward is reluctantly persuaded that the dog indeed belongs to Annie.

Underneath the 59th Street Bridge is a so-called Hooverville, a Depression-style shanty town that is home to an assortment of unemployed New Yorkers who sarcastically let it be known that We’d Like To Thank You, Herbert Hoover. Annie turns up with Sandy, wondering if anyone in the Hooverville had ever left a baby at an orphanage. Her sunny disposition endears Annie to the Hooverville-ites, who inviter her to join them in a cup of Mulligan stew. The police raid the Hooverville, and Annie is arrested, although Sandy escapes.

Back at the Orphanage, Miss Hannigan’s nerves are at the breaking point from having to put up with Little Girls when Officer Ward arrives with Annie in tow. After Officer Ward leaves, Miss Hannigan is about to clobber Annie when into the Orphanage comes Miss Grace Farrell, who is the young and beautiful private secretary to Oliver Warbucks, the billionaire industrialist. Warbucks has decided to invite an orphan to spend the Christmas holidays at home. And, to the fury of Miss Hannigan, Annie is chosen by Miss Farrell and driven off in a limousine.

Annie and Grace arrive at Warbucks’s Fifth Avenue mansion, where a platoon of servants is busily cleaning. Annie is delighted to learn that, as a guest, she herself won’t have to do any cleaning (I Think I’m Gonna Like It Here).

Oliver Warbucks arrives home from a business trip and is unhappy to discover that the orphan invited by Grace isn’t a boy. Still, he agrees to take Annie to the movies, to the Roxy Theater, and Warbucks, Annie and Grace walk forty-five blocks to Times Square, through the streets of the city that Warbucks loves best (N.Y.C.) And, while walking with Annie, Warbucks finds himself unexpectedly growing to like her.

A week later, Grace Farrell turns up at the Orphanage to tell Miss Hannigan that Warbucks has decided to adopt Annie. Miss Hannigan is not happy about this news, to say the least. As Grace is leaving, she bumps into Miss Hannigan’s ne’er-do’well con artist brother, Rooster, who is broke, just out of prison and looking for a handout from his sister. And with Rooster is his floozy girl friend, Lily. Miss Hannigan, Rooster and Lily dream of better days for themselves onEasy Street.

In his Fifth Avenue mansion, Warbucks is about to tell Annie that he wishes to adopt her. But he first gives her a present – a new locket from Tiffany’s to replace the old, broken one she always wears. Annie, however, breaks down in tears – she doesn’t want a new locket because the old locket had been left with her by her parents. And the one thing she wants in the world is to find her mother and father. Crushed, stunned, Warbucks promises Annie that he’ll find her parents for her. Grace and the Servants assure Annie that Warbucks will find her mother and father (You Won’t Be An Orphan For Long).

Act Two

In Rockefeller Center, on a radio program called “The Oxydent Hour of Smiles,” starring Bert Healy, Warbucks offers a certified check for $50,000 to anyone who can prove that they are Annie’s parents. Healy and the Boylan Sisters go off the air singing You’re Never Fully Dressed Without a Smile, a song that the Orphans hear over the radio in the Orphanage and imitate.

Later that night, Miss Hannigan has a pair of callers at the Orphanage, Ralph and Shirley Mudge, a couple from Canada who claim to be Annie’s parents. Miss Hannigan is astonished when the Mudges reveal themselves to be Rooster and Lily in disguise. Rooster offers to cut his sister in on the $50,000 reward money if she’ll provide him and Lily with details they’ll need to pass themselves off as Annie’s parents. Miss Hannigan agrees to join in the plot.

In Washington, at the White House, President Roosevelt and his Cabinet mirror the national gloom as they listen to a radio tirade against FDR. Warbucks arrives with Annie, who innocently blurts out to the glum group that things are bound to get better soon (Tomorrow Reprise). Everyone, including the President, is turned optimistic by Annie’s cheery spirits. A telegram arrives from New York saying that hundreds of couples claiming to be Annie’s parents are jamming the streets outside Warbucks mansion. Warbucks and Annie rush back to New York.

At the mansion, Grace sadly tells Warbucks and Annie that all of the couples who’d claimed to be her parents had turned out to be fakes – none of them knew about the locket. Alone with Annie, Warbucks tells her that before she came into his life Something Was Missing. Now, with seemingly no hope left of finding Annie’s parents, Warbucks says to Annie that he’d like to adopt her. She’s delighted, he’s delighted, and they both joyfully agree that I Don’t Need Anything But You.

At a party in the mansion to celebrate the adoption, the happy Servants feel as though it’s Christmas every day since Annie came along (Annie). As the adoption papers are about to be signed, Rooster and Lily, in their disguises as the Mudges, show up at the party and claim that Annie is their daughter. And they have a fake birth certificate to prove it, plus, thanks to Miss Hannigan’s connivance, half of a silver locket that appears to fit Annie’s half. Warbucks is vaguely suspicious of them, however, and asks that they come back for Annie and the $50,000 the following morning, Christmas. The Mudges leave and Annie rushes upstairs in tears just as President Roosevelt pays a surprise call on Warbucks. Grace, half remembering that she’d bumped into Rooster at the Orphanage, tells Warbucks that there is something phony about the Mudges. Warbucks turns to Roosevelt for help from the FBI.

Christmas morning, 1933, in the Warbucks mansion. Warbucks, Grace and FDR have been up all night, in constant telephone contact with the FBI, and they have unhappy news for Annie – her mother and father died many years ago. But then who are Ralph and Shirley Mudge? And who knew about the locket? Miss Hannigan! The Orphans and Miss Hannigan arrive to spend Christmas at the mansion. Rooster and Lily, again in their disguises as the Mudges, come to collect Annie and the check for $50,000. But the jig is up – the Secret Service arrests Rooster, Lily and Miss Hannigan, who is dragged away screaming. A huge Christmas box arrives for Annie – in it is Sandy, who has been found for Warbucks by the police. Happy ending as Annie, Warbucks, Grace and all agree that this Christmas is the beginning of a wonderful new life for not only them but for everyone in America (A New Deal For Christmas).

Barbra Streisand

Barbara Streisand

Barbra Streisand

Barbra Joan Streisand, born on April 24th 1942, is an actress, singer, director, writer, composer, producer, designer, author and photographer.

Her career, spanning six decades, has brought Barbra Streisand acclaim in many fields of entertainment: winning numerous awards including two Academy Awards, ten Grammy Awards, five Emmy Awards and eleven Golden Globes.

After beginning a successful recording career in the 1960s, she ventured into film: starring in Funny Girl, for which she won an Academy Award and Best Actress. Her other films include The Way We Were and A Star Is Born.  Barbra Streisand became the first woman to write, produce, direct and star in a major film when, in 1983, Yentl was released. The film won an Oscar for Best Score and a Golden Globe for Best Motion Picture Musical; and Streisand received a Golden Globe for Best Director.

Backing Tracks

ALL I ASK OF YOU - BARBRA STREISAND
Price: £1.00
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All I ask Of You

[wp_eStore_fancy92 id=27320] All In Love Is Fair

ALL THE WAY - BARBRA STREISAND
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All The Way

AM I BLUE - BARBRA STREISAND
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Am I Blue

A PIECE OF SKY - BARBRA STREISAND
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A Piece Of Sky

AS IF WE NEVER SAID GOODBYE- BARBRA STREISAND
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  As If We Never Said Goodbye

WOMAN IN LOVE - BARBRA STREISAND
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A Woman In Love

BEING ALIVE - BARBRA STREISAND
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Being Alive

BUT BEAUTIFUL - BARBRA STREISAND
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But Beautiful

CALLING YOU - BARBRA STREISAND
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 Calling You

CHILDREN WILL LISTEN - BARBRA STREISAND
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 Children Will Listen

CIRCLE - BARBRA STREISAND
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 Circle

COMIN' IN AND OUT OF YOUR LIFE - BARBRA STREISAND
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Comin’ In And Out Of Your Life

COULD I LEAVE YOU - BARBRA STREISAND
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 Could I Leave You

CRY ME A RIVER - BARBRA STREISAND
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Cry Me A River

DON'T RAIN ON MY PARADE - FUNNY GIRL
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 Don’t Rain On My Parade

DRAW ME A CIRCLE - BARBRA STREISAND
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 Draw Me A Circle

EMILY - BARBRA STREISAND
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 Emily

EVERGREEN - BARBRA STREISAND
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 Evergreen

EVERYBODY SAYS DON'T - BARBRA STREISAND
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Everybody Says Don’t

EVERYTHING - BARBRA STREISAND
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Everything

FINALLY FOUND SOMEONE - BARBRA STREISAND
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Finally Found Someone

FOR ALL WE KNOW - BARBRA STREISAND
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For All We Know

GOODBYE FOR NOW - BARBRA STREISAND
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 Goodbye For Now

GUILTY - BARBRA STREISAND
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 Guilty

HAPPY DAYS ARE HERE AGAIN - BARBRA STREISAND
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 Happy Days Are Here Again

HELLO DOLLY - BARBRA STREISAND
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 Hello Dolly

HE TOUCHED ME - BARBRA STREISAND
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 He Touched Me

HIGHER GROUND - BARBRA STREISAND
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 Higher Ground

HOW DO YOU KEEP THE MUSIC PLAYING - BARBRA STREISAND
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 How Do You Keep The Music

HOW LUCKY CAN YOU GET - BARBRA STREISAND
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 How Lucky Can You Get

I BELIEVE IN LOVE - BARBRA STREISAND
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 I Believe In Love

I DREAMED OF YOU - BARBRA STREISAND
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 I Dream Of You

IF I LOVED YOU - BARBRA STREISAND
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 If I Loved You

IF YOU EVER LEAVE ME - BARBRA STREISAND
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 If You Ever Leave Me

I'M IN THE MOOD FOR LOVE - BARBRA STREISAND
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 I’m In The Mood For Love

I'VE GOT A CRUSH ON YOU - BARBRA STREISAND
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 I’ve Got A Crush On You

I'VE NEVER BEEN IN LOVE BEFORE - BARBRA STREISAND
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 I’ve Never Been In Love Before

KISS ME IN THE RAIN - BARBRA STREISAND
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Kiss Me In The Rain

LET'S HEAR IT FOR ME - BARBRA STREISAND
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 Let’s Hear It For Me

LIFE STORY - BARBRA STREISAND
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 Life Story

LOST INSIDE OF YOU - BARBRA STREISAND
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 Lost Inside You

LUCK BE A LADY - BARBRA STREISAND
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 Luck Be A Lady

MAIN EVENT - BARBRA STREISAND
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 Main Event

MEMORY - BARBRA STREISAND
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Memory

MOON RIVER - BARBRA STREISAND
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 Moon River

MORE I LOVE YOU - BARBRA STREISAND
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 More I Love You

MY FUNNY VALENTINE - BARBRA STREISAND
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My Funny Valentine

MY HEART BELONGS TO ME - BARBRA STREISAND
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 My Heart Belongs To Me

MY MAN - BARBRA STREISAND
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 My Man

NOT WHILE I'M AROUND - BARBRA STREISAND
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Not While I’m Around

ON A CLEAR DAY - BARBRA STREISAND
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 On A Clear Day

ON MY WAY TO YOU - BARBRA STREISAND
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 On My Way To You

ORDINARY MIRACLES - BARBRA STREISAND
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 Ordinary Miracles

OVER THE RAINBOW - BARBRA STREISAND
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 Over The Rainbow

PAPA CAN YOU HEAR ME - BARBRA STREISAND
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 Papa Can You Hear Me

PEOPLE - BARBRA STREISAND
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 People

PIECES THAT BELONG TO ME - BARBRA STREISAND
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 Pieces That Belong To Me

QUEEN BEE - BARBRA STREISAND
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 Queen Bee

SAM YOU MADE THE PANTS TOO LONG - BARBRA STREISAND
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 Sam You Made The Pants Too Long

SECOND HAND ROSE - BARBRA STREISAND
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Second Hand Rose

SECOND TIME AROUND - BARBRA STREISAND
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 Second Time Around

SEND IN THE CLOWNS - BARBRA STREISAND
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Send In The Clowns

SOME GOOD THINGS NEVER LAST - BARBRA STREISAND
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 Some Good Things Never Last

SOMEONE THAT I USED TO LOVE - BARBRA STREISAND
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Someone That I Used To Love

SOMEWHERE - BARBRA STREISAND
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Somewhere

SONGBIRD - BARBRA STREISAND
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 Songbird

SWEET INSPIRATION - BARBRA STREISAND
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 Sweet Inspiration

TELL HIM - BARBRA STREISAND
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 Tell Him

THE LOVE INSIDE - BARBRA STREISAND
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 The Love Inside

THE MAN THAT I LOVE - BARBRA STREISAND
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The Man That I Love

THE SUMMER KNOWS - BARBRA STREISAND
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 The Summer Knows

THE WAY HE MAKES ME FEEL - BARBRA STREISAND
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 The Way He Makes Me Feel

THE WAY WE WERE - BARBRA STREISAND
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 The Way We Were

TILL I LOVED YOU - BARBRA STREISAND
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 Till I Loved You

TIME AND LOVE - BARBRA STREISAND
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 Time And Love

WE'RE NOT MAKIN' LOVE ANY MORE - BARBRA STREISAND
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 We’re Not Makin’ Love Any More

WHAT KIND OF FOOL - BARBRA STREISAND
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 What Kind Of Fool

WITH ONE LOOK - BARBRA STREISAND
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With One Look

YOU'RE THE TOP - BARBRA STREISAND
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 You’re The Top

NO MORE TEARS (ENOUGH IS ENOUGH) B STREISAND D SUMMER
Price: £1.00
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 No More Tears – with Donna Summer

YOU DON'T BRING ME FLOWERS - N DIAMOND B STREISAND
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 You Don’t Bring Me Flowers – with Neil Diamond

Please Put My Tracks On CD
Please Put My Tracks On CD
Add this to your cart if you require your tracks posted to you on CD.

Official Website

Barbra Streisand

Chitty Chitty Bang Bang

chitty chitty bang bangChitty Chitty Bang Bang

Backing Tracks:

Chitty Chitty Bang Bang… Truly Scrumptious… Hushabye Maountain… Doll On A Music Box…

Chitty Chitty Bang Bang is a 1968 British musical adventure fantasy film loosely based on Ian Fleming’s 1964 novel “Chitty-Chitty-Bang-Bang: The Magical Car”. The film was directed by Ken Hughes, written by Roald Dahl and Hughes, and starred Dick Van Dyke, Sally Ann Howes, Lionel Jeffries, James Robertson Justice, and Robert Helpmann.

Backing Tracks

CHITTY CHITTY BANG BANG - CHITTY CHITTY BANG BANG
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Chitty Chitty Bang Bang

TRULY SCRUMPTIOUS - CHITTY CHITTY BANG BANG
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Truly Scrumptious

HUSHABYE MOUNTAIN - CHITTY CHITTY BANG BANG
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Hushabye Mountain

DOLL ON A MUSIC BOX - CHITTY CHITTY BANG BANG
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Doll On A Music Box

Please Put My Tracks On CD
Please Put My Tracks On CD
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Cart is empty £0.00

Official Website

Beautiful – The Carole King Musical

Beautiful – The Carole King Musical

beautiful-banner

Carole King is a chart-topping music legend and this musical is about her journey from schoolgirl to superstar. She wrote ‘Will You Love Me Tomorrow’ when she was seventeen; it was released in 1960 by the Shirelles and became the first Number One by a black female group.  Since then, she has written songs for The Drifters, Aretha Franklin and The Monkees.

The musical tells the true story of the Goffin and King songwriting partnership, Carole King’s relationship with fellow writers and best friends Cynthia Weil and Barry Mann, and how she became one of the most successful solo artists in popular music history.

Backing Tracks from the Musical

OVERTURE - CAROLE KING
Price: £1.00
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Overture

SO FAR AWAY - CAROLE KING
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 So Far Away

IT MIGHT AS WELL RAIN UNTIL SEPTEMBER - CAROLE KING
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  It Might As Well Rain Until September

SOME KIND OF WONDERFUL - CAROLE KING
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  Some Kind Of Wonderful

HAPPY DAYS ARE HERE AGAIN - CAROLE KING - TRADITIONAL
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  Happy Days Are Here Again

WILL YOU STILL LOVE ME TOMORROW - SHIRELLES
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  Will You Still Love  Me Tomorrow

HE'S SURE THE BOY I LOVE - CAROLE KING
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  He’s Sure The Boy I love

UP ON THE ROOF - CAROLE KING BEAUTIFUL
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Up On The Roof

ON BROADWAY - CAROLE KING
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  On Broadway

LOCOMOTION - NBV - CAROLE KING LITTLE EVA
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  The Locomotion

YOU'VE LOST THAT LOVING FEELING - CAROLE KING
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You’ve Lost That Loving Feeling

ONE FINE DAY - CAROLE KING
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  One Fine Day

CHAINS - CAROLE KING
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  Chains

WALKING IN THE RAIN - CAROLE KING
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  Walking In The Rain

PLEASANT VALLEY SUNDAY - CAROLE KING
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  Pleasant Valley Sunday

WE GOTTA GET OUTTA THIS PLACE - CAROLE KING
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We Gotta Get Out of This Place

UPTOWN - CAROLE KING CRYSTALS
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Uptown

IT'S TOO LATE - CAROLE KING
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  It’s Too Late

YOU'VE GOT A FRIEND - CAROLE KING
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You’ve Got A Friend

NATURAL WOMAN - CAROLE KING
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You Make Me Feel Like A Natural Woman

BEAUTIFUL - CAROLE KING
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  Beautiful

I Feel The Earth Move - Carole King
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  I Feel The Earth Move

Please Put My Tracks On CD
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Synopsis taken from the Beautiful: The Carole King Musical soundtrack booklet

Act I

At Carnegie Hall in 1971, Carole King sings “So Far Away”. Then, in Brooklyn 1958, 16-year-old Carole tells her mother, Genie, she is going into Manhattan to try to sell a song to music publisher Donnie Kirshner. In the long tradition of mothers, Genie is opposed to her daughter’s wish and in the equally long tradition of teenagers not caring about their mother’s opinion, Carole goes anyway. At 1650 Broadway, she hears the “1650 Broadway Medley”. She then sings her new song “It Might As Well Rain Until September”. Donnie says he will take it and hopes she has others. At Queens College, Carole meets a handsome young lyricist named Gerry Goffin. They agree to collaborate, musically and romantically, which in both cases turns out to be a fertile arrangement. When they go to Donnie’s to play their new song, Carole confesses to Gerry that she is pregnant. Gerry asks her to marry him. It gives her an extra depth of feeling when she sings their new song for Donnie, “Some Kind of Wonderful”, which The Drifters then record.

They get an office at 1650. While there, Carole meets a new lyricist Cynthia Weil (“Happy Days Are Here Again”) who is looking for a composer to work with. Gerry and Carole sing their new song “Take Good Care of My Baby”, during which Barry Mann, the composer with the office next door, enters. Barry meets Cynthia and they decide to collaborate. As they begin to work, sparks fly. Donnie tells them he needs a song for the Shirelles. The couples compete for the job. In Donnie’s office the next morning, Carole and Gerry present “Will You Love Me Tomorrow”. Cynthia and Barry perform “He’s Sure the Boy I Love”. Donnie picks Carole and Gerry’s song for The Shirelles and it goes to Number One (“Will You Still Love Me Tomorrow” (Reprise)). And so, on either side of the same wall, a competition is born. The two teams turn out an amazing parade of songs: “Up on the Roof”, “On Broadway”, “The Loco-Motion”, and “You’ve Lost That Lovin’ Feelin'”.

Gerry and Carole are at the taping of a TV special where their new song, “One Fine Day”, is being performed by the dazzling Janelle Woods. During a break, Gerry confesses to Carole that he is restless in their marriage. He wants to sleep with Janelle, and he doesn’t want to lie about it. Carole is stunned. As the song begins again, she takes it over and sings it herself.

Act II

Carole is in a recording studio doing a demo of “Chains”. Gerry is off with Janelle but tells her he will meet her later. Nick, a guitarist, asks Carole to come sing at the Bitter End sometime but she declines — she’s a songwriter, not a singer. The thing with Gerry is getting her down so she goes and talks to Cynthia who is also having trouble with Barry — they split up. Carole decides to tell Gerry he has to end the affair with Janelle. As she leaves, Barry comes in. He and Cynthia make up and play their new song, “Walking in the Rain”. Gerry shows up, but he is not making sense. He eventually has a breakdown. At the hospital, he tells Carole he will end the affair with Janelle and that he wants to come home. She suggests they make a new start and move to the suburbs (“Pleasant Valley Sunday”).

Barry, Cynthia and Donnie come to see the new house. Barry plays their new song, “We Gotta Get Out of This Place”. Depressed that he and Carole can’t do as well, Gerry leaves in a funk for the city. While he is gone, it comes out that Barry and Cynthia have seen him with another woman, a singer named Marilyn Wald. Carole goes to Marilyn’s apartment and Gerry is there. It’s the final straw, and she ends their marriage. At the Bitter End, where Barry and Cynthia hear their song “Uptown”, Carole explains she went to LA for a vacation and has started writing on her own. Nick, the guitarist from the studio who asked her to sing with his group is playing there and urges her to sing. She sings her new song, “It’s Too Late”. She decides to move to L.A. At 1650, she says goodbye to Donnie, Barry and Cynthia and plays them a parting present (“You’ve Got a Friend”).

In L.A., she records her album, Tapestry. The session goes well until the last song which she is afraid to sing. It’s a song she wrote with Gerry and she is afraid of the feelings it may stir up. Her producer, Lou Adler, persuades her. She sings “(You Make Me Feel Like) A Natural Woman”. The album is a smash. Carole is at Carnegie Hall for her concert. Before the show starts, Gerry knocks on her dressing room door. He has brought her a good luck present, but has something even more valuable: an apology for all the ways he hurt her. With a full heart he wishes her well. Carole comes onto the stage of Carnegie Hall alone. She sits at the piano. Then with all the joy inside her, she sings “Beautiful”.

 

More From Carole King

Cabaret The Musical Backing Tracks

cabaretCabaret The Musical

Backing Tracks

CABARET - CABARET
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 Cabaret

DON'T TELL MAMA - CABARET
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 Don’t Tell Mama

TWO LADIES - CABARET
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 Two Ladies

IT COULDN'T PLEASE ME MORE - CABARET
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 It Couldn’t Please Me More

I SEE THE WORLD THROUGH YOUR EYES - CABARET
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 I See The World Through Your Eyes

IF YOU COULD SEE HER - CABARET
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 If You Could See Her

LADY DISTANCE - CABARET
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 Lady Distance

MAYBE THIS TIME - CABARET
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 Maybe This Time – Liza Minelli

MEIN HERR - CABARET
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 Mein Herr

MR CELLOPHANE - CABARET
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 Mr Cellophane

PERFECTLY MARVELOUS - CABARET
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 Perfectly Marvelous

WILKOMMEN - CABARET
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 Wilkommen

WHY SHOULD I WAKE UP - CABARET
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 Why Should I Wake Up

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